Journal of Clothing Science
Journal of Clothing Science
           

2020, Vol. 5, No. 3. - go to content...

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Petushkova T.A., Smirnova L.P., Belgorodskiy V.S. Russian avant-garde stylistics: educational design of industrial collections in costume design. Journal of Clothing Science. 2020; 5(3). Available at: https://kostumologiya.ru/PDF/05IVKL320.pdf (in Russian).


Russian avant-garde stylistics: educational design of industrial collections in costume design

Petushkova Tatyana Anatolʹevna
Russian state university named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia
E-mail: tatyana_petushkova@yahoo.com

Smirnova Larisa Petrovna
Russian state university named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia
E-mail: smirnova-lp@rguk.ru

Belgorodskiy Valery Savelievich
Russian state university named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia
E-mail: rectormgudt@mail.ru

Abstract. The article outlines a comprehensive program for the development of industrial collections as a concept that connects the creativity of a costume designer and a painter within the framework of a fashionable modern trend, which bears the conditional name «Collaboration» in the theme «Russian avant-garde». The article considers a set of intellectual paradigms that are most relevant for modern design thinking and the development of higher design education. Today, scientists consider the artistic avant-garde of the twentieth century. as a complex complex of various types of art in connection with the ideological and creative trends of such trends as post-impressionism, expressionism, Fauvism, Dadaism, surrealism, cubism and others that have an impact on the art of the twenty-FIRST century. The use of the methodological apparatus of philosophical and aesthetic, historical, art criticism and axiological knowledge allowed us to assert that the avant-garde of the twentieth century is a well-established conceptual term and a single code of modern culture with its own language practice and grammar. Avangard is a combination of scientific, technical and artistic creativity in the synthesis of figurative, associative and logical thinking. Because of this, avant-garde art today can be used as a substantial basis for the creative process, a «vector of changing the image of culture» and «ways of its self-existence and reflection». These provisions determined the content of the experimental course in the situation of developing industrial collections of fashion clothing and accessories in the framework of a philosophical and anthropological approach. Purpose: to draw attention to the first experiments of creating industrial clothing production in Russia by avant-garde artists. Their bright creativity is a powerful motivator for the revival of the modern domestic industry for the production of clothing, fabrics, shoes, haberdashery, all that set of products, which is covered by the capacious name «costume design». The experience of reading the topic by novice designers within the scientific direction of the Department is shown.

Keywords: Russian avant-garde; costume design; industrial collection design; design education; fractal methodology; synergetic paradigm; evolutionary epistemology

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