TEXTILE INDUSTRY<\/strong><\/p>\n \u2022 Getmantseva V.V., Kopylova M.D.<\/strong> Development of a methodology for designing personalized children’s clothing<\/a> \u2022 Evdushchenko E.V., Fot Zh.A.<\/strong> Approbation of the methodology for assessing the visualization of the properties of textile materials in CAD Assyst<\/a> \u2022 Zavadskaia I.D., Petrosova I.A., Andreeva E.G., Belgorodsky V.S.<\/strong> Formation of initial information about the figure of the consumer to automate the choice of clothes<\/a> \u2022 Karabanov P.S., Kostyleva V.V., Molofeeva M.A., Borozdina G.A.<\/strong> Modeling the mechanical strength of shoe parts from porous materials based on EVA<\/a> \u2022 Karnoukhov A.E., Voznesensky E.F., Timoshina Yu.A., Sysoev V.A., Shaekhov M.F.<\/strong> Study of shielding and performance properties of laminated textile materials with metal coatings<\/a> \u2022 Karshakova L.B., Borzunov G.I., Gruzdeva M.A., Obetkovskaya M.A.<\/strong> Art design of digital clothes with Clo3D editor<\/a> \u2022 Lukianova M.A., Kuzmin A.G., Tyurin I.N., Goncharova T.L., Tashpulatov S.Sh.<\/strong> Optimization of quality indicators and technical properties of thread connections of clothing parts made of denim material using digital printing technology<\/a> \u2022 Novozhilov A.I., Kuzmin A.G., Tyurin I.N., Kholodnova E.V., Tashpulatov S.Sh.<\/strong> Development of a method for manufacturing and fixing finishing 3D-printed elements of garments with complex relief<\/a> \u2022 Smirnov E.E., Kostyleva V.V., Razin I.B., Murtazina A.R.<\/strong> Training of a multilayer neural network to determine the size of clothes by anthropological parameters<\/a> \u2022 Strepetova O.A., Gorbacheva M.V., Reusova T.V.<\/strong> Influence of species features on the structural and geometrical characteristics of fischer semi-finished product properties<\/a> \u2022 Shaekhov M.F., Sysoev V.A., Sukhikh E.A.<\/strong> Changes in the adhesive properties of ABS plastic with fabric after modification by a low-pressure RF discharge<\/a> \u2022 Shalmina I.I., Starovoitova A.A., Akhmedova D.I.<\/strong> Development of MVP in the design of clothing for tourism and recreation<\/a> STUDY OF ART<\/strong><\/p>\n \u2022 Adamyan M.A., Makarova T.L.<\/strong> Creative interpretation of the motifs of traditional Armenian ornaments in the design of a modern costume<\/a> \u2022 Bastov G.A., Smirnova S.V.<\/strong> The significance of the structural and graphic analysis of the creative source in the figurative and associative design of jewelry<\/a> \u2022 Makarova T.L., Adamyan M.A.<\/strong> Coloring of the traditional Armenian costume in modern fashion<\/a> \u2022 Nechvaloda E.E.<\/strong> Outer garments of the Krasnoufimsk Maris: main types, sewing patterns, decorations<\/a> \u2022 Sosnina N.O., Gerasimova Ju.L., Uvarova Z.N.<\/strong> The concept of posthumanism as a resource for fashionable forecasting<\/a> \u2022 Firsova Yu.Yu., Alibekova M.I.<\/strong> Russian cultural traditions in modern fashion trends<\/a> Works of the participants \u2022 Bratukhina P. <\/strong>Deconstruction in the work of Yohji Yamamoto<\/a> \u2022 Egovtseva P.I. <\/strong>Suprematism of Malevich and its reflection in fashion<\/a> \u2022 Egorova E. <\/strong>Traditions of the Russian headdress in modern collections of fashion designers<\/a> \u2022 Zhigulina T.N. <\/strong>The versatility of Yves Saint Laurent<\/a> \u2022 Mitrofanova A. <\/strong>Features of the work of Elie Saab<\/a> \u2022 Khoze Kh.V. <\/strong>From the DNA of the Yves Saint Laurent brand to the creation of the Laurent collection<\/a> \u2022 Petrova S.P. <\/strong>Andr\u00e9 Courr\u00e8ge. Engineering approach to creating clothing models<\/a> \u2022 Sirotkina A. <\/strong>Reincarnation of the Chanel brand by Karl Lagerfeld<\/a> \u2022 Usol\u02b9tseva M.O.<\/strong> Andr\u00e9 Courr\u00e8ge architect of short skirts<\/a> \u2022 Uryupina N.V.<\/strong> Espace by Pierre Cardin<\/a>
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\n<\/strong>of the XXVI National Competition of Children’s Fashion Theaters and Costume Studios
\n«Golden Needle» on the theme «Great fashion designers of the world» (Moscow, March 30 — April 2, 2022)<\/strong><\/p>\n
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