TEXTILE INDUSTRY<\/strong><\/p>\n \u2022 Abramov A.V., Smolyaninov K.M., Rodicheva M.V., Kadyrov I.R.<\/strong> Actual trends in the development of functional textile materials for sports and outdoor activities<\/a> \u2022 Borodina E.V., Tukhanova V.Yu.<\/strong> Research on the impact of the computer-generated imagery on the fashion industry<\/a> \u2022 Burova M.D., Ershova M.E., Rykova E.S.<\/strong> Generative artificial intelligence as a designer’s assistant: an example of designing a collection based on an Orenburg shawl<\/a> \u2022 Volkova A.N.<\/strong> Targeted design of a men’s suit based on the use of geometric proportioning and transformation of the creative source<\/a> \u2022 Dobrovolskaya T.A., Maslova A.A.<\/strong> Research of ways of artistic design of clothes in a digital environment using the Stylist3D program<\/a> \u2022 Doroshenko N.N.<\/strong> Methods of motivating workers in the garment industry to increase production efficiency in conditions of qualified personnel shortage<\/a> \u2022 Ibatullina A.R., Parsanov A.S.<\/strong> Designing an assortment collection of women’s jumpsuits in different style directions<\/a> \u2022 Karaseva A.I., Kostyleva V.V., Burtsev A.I.<\/strong> A study of the design disadvantages of jazz shoes for professional dancers<\/a> \u2022 Kovaleva A.A., Cherunova I.V., Tagiev F.D.<\/strong> Development of the structure and testing of the dynamic effect of the shape of packages of materials for thermal protective clothing<\/a> \u2022 Koval E.A., Konareva Yu.S., Kostyleva V.V.<\/strong> Application of advanced technologies in the development of special leather goods accessories: optimization of production and improvement of consumer characteristics<\/a> \u2022 Lunina E.V., Dugelnaia K.N.<\/strong> Study of materials and additive printing technologies in terms of their use in the production of clothing items<\/a> \u2022 Mavlonov M.Kh., Chursin V.I.<\/strong> Interaction of plant extracts and zinc salts in aqueous solutions<\/a> \u2022 Madalieva Z.V., Yaminzoda (Yaminova) Z.A.<\/strong> Study of age dynamics of dimensional characteristics of figures of children of primary school age in the Republic of Tajikistan as a factor in the design of ergonomic uniforms<\/a> \u2022 Mashkina V.A., Mashkin M.N.<\/strong> Study of structural transformations of the dermis of the skin by the EPR method in the process of dressing<\/a> \u2022 Mezentseva T.V., Shirchkov N.P., Pokrovskaya T.D.<\/strong> Analysis of modern equipment and trends in integrated automation of sewing production<\/a> \u2022 Mochalina D.R., Sineva O.V.<\/strong> Neural networks in the development of light industry collections<\/a> \u2022 Okutin A.S.<\/strong> Obtaining collagen dissolution products from cow hide dermis using catholyte<\/a> \u2022 Polishchuk O.A., Rykova E.S., Kostyleva V.V.<\/strong> The geometry of abstract-graphic contours of decorative and applied art elements as a basis for designing collections of shoes and accessories<\/a> \u2022 Starovoitova A.A., Fot Zh.A.<\/strong> Creative project \u00abUpcycling technologies\u00bb based on the interaction of school and university<\/a> \u2022 Sineva O.V., Tsoi K.V.<\/strong> Anthropometric studies of the hand<\/a> \u2022 Fedorova I.A.<\/strong> On the issue of making a collection of bags with Florentine embroidery for a modern women’s suit<\/a> STUDY OF ART<\/strong><\/p>\n \u2022 Ibragimov A.I.<\/strong> Jewelry as part of the costume of Kazakhstan: traditions and modernity<\/a> \u2022 Kalinina L.N., Leonova E.V.<\/strong> Chuvash girls’ hats: traditions and modernity<\/a> \u2022 Kalinova T.N., Lunina E.V.<\/strong> Baroque costume on canvases by artists of the XVI\u2013XVII centuries<\/a> \u2022 Karshakova L.B., Smirnov V.B., Firsov A.V., Getmantseva V.V.<\/strong> Research of digital environment tools for developing a fashion show<\/a> \u2022 Klimova L.A., Plotnikova M.G.<\/strong> Design in the context of digital transformation<\/a> \u2022 Leonova E.V., Kalinina L.N.<\/strong> Modern wedding ensemble with national motifs<\/a> \u2022 Perchukevich G.V., Medvedeva A.V.<\/strong> Analysis of the designer’s everyday art practices as an approach to the forming of the project concept<\/a>
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