2.6.16. Technology of production of textile and light industry products (technical sciences)<\/strong><\/p>\n \u2022 Andrievskii M.Yu., Getmantceva V.V.<\/strong> Parametric methodology for studying the \u00abarmhole-sleeve cap-shoulder\u00bb node in oversize garment design <\/a> \u2022 Antoshko V.A., Kostyleva V.V., Razin I.B.<\/strong> Application of artificial intelligence and augmented reality capabilities in the design of light industry products <\/a> \u2022 Garafiev A.R., Tikhonova N.V., Matveeva V.Yu.<\/strong> Comparative analysis of the tensile properties of textile bases for filter-type material packages and industrial analogues <\/a> \u2022 Getmantseva V.V., Guseva M.A., Beskostova P.R., Arapko A.M., Petukhova O.Yu.<\/strong> Adaptive clothing: ergonomics, design, therapeutic potential <\/a> \u2022 Guseva M.A., Getmantseva V.V., Galoyan N.V., Lidzheeva T.A.-S.<\/strong> Key features of designing clothing for tall men <\/a> \u2022 Demidova M.D., Rykova E.S.<\/strong> Russian generative services as a tool for artistic design of shoe collections <\/a> \u2022 Zhukovskaya T.V., Tikhonova N.V.<\/strong> Biomechanical design aspects of women\u2019s everyday footwear for hormonal transition periods <\/a> \u2022 Zufarova A.R., Mikhailov P.I.<\/strong> The role of the designer in the development of a sustainable fashion industry <\/a> \u2022 Karaseva A.I., Kostyleva V.V., Sytnik D.I.<\/strong> Development and visualization of the author\u2019s collection of women\u2019s clothing and shoes using modern digital tools <\/a> \u2022 Kirsanova E.A., Belova O.V., Smirnova S.S.<\/strong> Analytical review of the modern range of fabrics for clothing for medical staff <\/a> \u2022 Kozub L.V., Spitsyna E.E., Bogdanova O.A.<\/strong> The historical evolution of garment construction techniques: from antiquity to the digital era <\/a> \u2022 Nagmanov N.D., Parsanov A.S., Krasina I.V., Bogoiavlinskaia V.N.<\/strong> Modification methods of polyamide-6 based knit strand <\/a> \u2022 Osmanov Z.N., Kurdenkova A.V., Bulanov Ya.I.<\/strong> Study of mechanical properties under compression of non-woven insulation materials taking into account operating conditions <\/a> \u2022 Sineva O.V., Al-Yazidi S.V. <\/strong> Analysis of generations at the stage of sketching shoe models using artificial intelligence <\/a> \u2022 Suleymanova E.A., Kovalenko Yu.A., Tikhonova N.V., Abutalipova L.N.<\/strong> Comparative analysis of the morphological similarity of a female base physical and digital mannequins\u2019 support surface <\/a> \u2022 Teplikov O.V., Ledeneva I.N., Kostyleva V.V.<\/strong> Analysis of the organization of contemporary warehouse logistics processes across various industrial sectors <\/a> \u2022 Falko L.Yu.<\/strong> On the typology of the personal wardrobe in contemporary theory and practice of clothing design <\/a> \u2022 Khisamiyeva L.G.<\/strong> Integration of additive technologies into the artistic design and production of fashion products <\/a> 5.10.3. Types of art (art history)<\/strong><\/p>\n \u2022 Ablaeva U.O.<\/strong> Ornamental traditions of the Crimean Tatars (ethnocultural context) <\/a> \u2022 Belyakov N.A., Kutseva E.A.<\/strong> The role of the English enlightenment in the fashion revolution of the Great Renunciation era <\/a> \u2022 Zamaziy O.S., Kislykh L.V., L’vova N.S., Maltseva V.A.<\/strong> Eco design in contemporary fashion and designers\u2019 artistic practice <\/a> \u2022 Kalko O.V.<\/strong> The influence of the cool color palette of the costume on the formation of the main character\u2019s image in a historical film <\/a> \u2022 Korobtseva N.A., Verkhoturova A.S.<\/strong> Digital fashion collection animation techniques <\/a> \u2022 Kotlyarevskaya N.V., Alekseeva E.N.<\/strong> Interpretation of the authentic Crimean Tatar costume in the stage performances of the Crimean Tatar Academic Music and Drama Theatre <\/a> \u2022 Petukhova O.Yu., Alibekova M.I.<\/strong> The cultural code of the Pomor region through the prism of self-identification in the development of a fashion collection <\/a> \u2022 Pinchuk A.M., Kruglova M.G.<\/strong> Principles of forming in art deco jewelry <\/a>
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