{"id":410,"date":"2019-05-08T16:06:49","date_gmt":"2019-05-08T13:06:49","guid":{"rendered":"https:\/\/kostumologiya.ru\/en\/?page_id=410"},"modified":"2023-04-20T17:10:15","modified_gmt":"2023-04-20T14:10:15","slug":"issue-2-2019","status":"publish","type":"page","link":"https:\/\/kostumologiya.ru\/en\/issue-2-2019.html","title":{"rendered":"2019, Volume 4, Issue 2"},"content":{"rendered":"<h2 style=\"text-align: center;\">Journal of Clothing Science<\/h2>\n<h2 style=\"text-align: center;\">2019, Volume 4, Issue 2<\/h2>\n<p style=\"padding-left: 30px; padding-top: 30px;\"><strong>TEXTILE INDUSTRY<\/strong><\/p>\n<p>\u2022 <a href=\"15TLKL219.html\"><strong> Gerasimova M.P., Zolottseva L.V., Mehtieva M.I.<\/strong> Transformation of the details of the Russian costume in the models of modern women&#8217;s clothing from knitted fabrics<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 15TLKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"14TLKL219.html\"><strong> Denisova O.I.<\/strong> Development of a theoretical model for designing a corporate uniform based on an analysis of its purpose<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 14TLKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"07TLKL219.html\"><strong> Dobrovolskaya T.A.<\/strong> Automation of calculation of heat-protective clothing in the formation of the structure of the package of materials<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 07TLKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"11TLKL219.html\"><strong> Mekhtieva M.I., Zolottseva L.V., Gerasimova M.P.<\/strong> Development of industrial methods of designing original modern garments on the basis of Russian national traditions<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 11TLKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"19TLKL219.html\"><strong> Nozdracheva T.M.<\/strong> Improvement of design and technological solutions of clothing with elements of posture correction<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 19TLKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"12TLKL219.html\"><strong> Savinova L.A. Zaretskaja G.P.<\/strong> Development of initial information for the design of women&#8217;s set of special clothing for protection against low temperatures<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 12TLKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"02TLKL219.html\"><strong> Slepneva E.V., Khammatova V.V.<\/strong> Analysis of modern materials and technological basis for the creation of children&#8217;s multi-functional clothing<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 02TLKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"20TLKL219.html\"><strong> Kholodnova E.V., Galkin A.V., Chalenko E.A., Kirsanova E.A.<\/strong> Use of gasket materials when executing machine embroidery<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 20TLKL219<\/span><\/sub><\/p>\n<p style=\"padding-left: 30px; padding-top: 30px;\"><strong>STUDY OF ART<\/strong><\/p>\n<p>\u2022 <a href=\"09IVKL219.html\"><strong> Aksenova-Sh. L.V.<\/strong> Portrait as a means of composition of the modern costume<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 09VKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"17IVKL219.html\"><strong> Vasilenko E.V., Vasilenko P.G.<\/strong> Features of the ornament of the Adyghe folk costume its application in modern design<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 17VKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"16IVKL219.html\"><strong> Grigoryan A.O., Makarova T.L.<\/strong> Use of modern gadgets in costume design<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 16VKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"03IVKL219.html\"><strong> Dementev O.V., Nekhvyadovich L.I.<\/strong> Literary sources about semantics of stage costume of China (on the example of choreographic art of China of 1842\u20131945)<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 03VKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"04IVKL219.html\"><strong> Dokuchaeva O.I.<\/strong> Design of jersey on a basis analysis of picturesque sources<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 04VKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"01IVKL219.html\"><strong> Zhukenova Zh.D.<\/strong> Artistic embroidery of the Kazakhs<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 01VKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"06IVKL219.html\"><strong> Kolesnikova E.V., Budnikova O.V.<\/strong> A study of the ergonomic component of special-purpose clothing on the example of everyday complex of vestments of orthodox clergy<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 06VKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"21IVKL219.html\"><strong> Korovko A.A.<\/strong> Role of art textile in modern fashion designers creation for example of collections of Tatyana Parfionova\u2019s fashion house<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 21VKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"18IVKL219.html\"><strong> Koroleva A.N., Bastov G.A.<\/strong> The formation of women&#8217;s costumes as symbolic units, that defines a gender identity<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 18IVKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"10IVKL219.html\"><strong> Pallotta V.I., Sichkar T.V.<\/strong> Semiotics of organization, selection and use of images in advertising design<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 10IVKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"13IVKL219.html\"><strong> Parfenova M.A., Makarova T.L.<\/strong> Symbolism of color in the design of the costume characters of the film<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 13IVKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"08IVKL219.html\"><strong> Petushkova G.I., Basyyrova A.S.<\/strong> Costume design: kinetic shaping<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 08IVKL219<\/span><\/sub><\/p>\n<p>\u2022 <a href=\"05IVKL219.html\"><strong> Savelyeva E.V.<\/strong> Soviet costume of the period of the Revolution and New Economic Policy as a sociocultural sign of age<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 05IVKL219<\/span><\/sub><\/p>\n<h2 style=\"text-align: center;\"><span style=\"font-size: 12pt;\">XXIII NATIONAL COMPETITION OF CHILDREN&#8217;S THEATERS OF FASHION AND STUDIO SUITS<\/span><br \/>\n<span style=\"font-size: 12pt;\">Russia, Moscow, April 2019<\/span><br \/>\n<span style=\"font-size: 12pt;\">Theme &#171;Architecture and Fashion&#187;<\/span><\/h2>\n<p style=\"text-align: justify;\"><em>In a special issue of the magazine &#171;Costume&#187; published research work of participants of the XXIII National contest of children&#8217;s fashion theaters and costume studios &#171;Golden Needle&#187;. The research work was carried out by pupils of children&#8217;s fashion theaters from different parts of Russia, under the guidance of their teachers.<\/em><\/p>\n<p id=\"text1\">\u2022 <a href=\"https:\/\/kostumologiya.ru\/PDF\/24IVKL219.pdf\"><strong> Zolotukhina A.M.<\/strong> The relationship of modern fashion and architecture. On the example of Japanese architecture<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 24IVKL219<\/span><\/sub><\/p>\n<p id=\"text1\">\u2022 <a href=\"https:\/\/kostumologiya.ru\/PDF\/23IVKL219.pdf\"><strong> Odnoletova E.A.<\/strong> The architecture of the Vladimir Palace of Children&#8217;s Creativity as a source of inspiration for fashion designers at Gloria fashion studio<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 23IVKL219<\/span><\/sub><\/p>\n<p id=\"text1\">\u2022 <a href=\"https:\/\/kostumologiya.ru\/PDF\/26IVKL219.pdf\"><strong> Parfenyuk E., Ustyugova D.<\/strong> Architecture and urban environment as a source of inspiration in the work of fashion designers<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 26IVKL219<\/span><\/sub><\/p>\n<p id=\"text1\">\u2022 <a href=\"https:\/\/kostumologiya.ru\/PDF\/25IVKL219.pdf\"><strong> Sagala E.V.<\/strong> Theatrical architecture of the 20th century and modern costume (on the example of the Novosibirsk State Academic Opera and Ballet Theater)<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 25IVKL219<\/span><\/sub><\/p>\n<p id=\"text1\">\u2022 <a href=\"https:\/\/kostumologiya.ru\/PDF\/27IVKL219.pdf\"><strong> Serebryannikova M.<\/strong> The work of architect Mario Bott as a creative source for creating a collection of clothing models<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 27IVKL219<\/span><\/sub><\/p>\n<p id=\"text1\">\u2022 <a href=\"https:\/\/kostumologiya.ru\/PDF\/22IVKL219.pdf\"><strong> Skorokhodova S.A.<\/strong> The relationship of modern fashion and architecture. Biotech in architecture and fashion of the XX\u2013XXI centuries<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 22IVKL219<\/span><\/sub><\/p>\n<p id=\"text1\">\u2022 <a href=\"https:\/\/kostumologiya.ru\/PDF\/28IVKL219.pdf\"><strong> Chernyshova A.<\/strong> The influence of the method of architectural bionics on the creation of the author\u2019s collection of Watasenia clothing models<\/a><br \/>\n<sub><span style=\"color: grey;\">Identification number of article: 28IVKL219<\/span><\/sub><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Journal of Clothing Science 2019, Volume 4, Issue 2 TEXTILE INDUSTRY \u2022 Gerasimova M.P., Zolottseva L.V., Mehtieva M.I. Transformation of the details of the Russian costume in the models of modern women&#8217;s clothing from knitted fabrics Identification number of article: &hellip;<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-410","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/pages\/410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/comments?post=410"}],"version-history":[{"count":29,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/pages\/410\/revisions"}],"predecessor-version":[{"id":1779,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/pages\/410\/revisions\/1779"}],"wp:attachment":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/media?parent=410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}