TEXTILE INDUSTRY<\/strong><\/p>\n \u2022 Bikbulatova A.A.<\/strong> The impact of openly displaying disability in advertising and public events on the development of an inclusive society<\/a> \u2022 Grebeneva Yu.S., Sapozhnikova A.I., Gordeeva Yu.L.<\/strong> The use of multivariate statistical data analysis to create an information system for instrumental sorting of mink skins of various color groups and types<\/a> \u2022 Kotomenkova O.G., Vinogradova A.V.<\/strong> Influence of wear factors on the destruction of special-purpose materials<\/a> \u2022 Reusova T.V., Strepetova O.A.<\/strong> The main properties of sable skins that form the quality, demand and price policies for fur products<\/a> \u2022 Strepetova O.A., Gorbacheva M.V., Reusova T.V.<\/strong> Design-designing fur products from short-haired rabbit skin<\/a> \u2022 Khokhaeva Z.Z., Gogaev\u0430 O.V.<\/strong> Analysis of development and composition of the main forms of traditional japanese women’s suit<\/a> \u2022 Sharpar N.M., Zhmakin L.I., Markova K.A.<\/strong> Experimental study of thermal conductivity of textile materials included in the clothes of power structures and special agencies<\/a> STUDY OF ART<\/strong><\/p>\n \u2022 Alekseeva E.N.<\/strong> Reflection of fashion trends in the Art Nouveau style in the context of the formation of poster art of the late XIX \u2013 early XX century<\/a> \u2022 Vozmilova A.A., Petushkova G.I.<\/strong> Classification of modular apparel design methods<\/a> \u2022 Kamalieva A.S.<\/strong> Regional features of the technique and ornament of Bashkir tambour embroidery<\/a> \u2022 Kuznetsova-Bondarenko E.S., Yusufova E.I.<\/strong> The importance of the revival of the \u201cDokuzlyk\u201d in the culture of the Crimean tatar people<\/a> \u2022 Leonova E.V., Kalinina L.N.<\/strong> Development of multifunctional clothing for travel<\/a> \u2022 Makarova T.L., Lakizenko E.D.<\/strong> Print in the design of children’s clothing \u2013 a new round in the history of modern illustration<\/a> \u2022 Nechaeva A.S., Nekhvyadovich L.I.<\/strong> Semiotics of national costume in the system of Altai traditional culture<\/a> \u2022 Pallotta V.I., Sichkar T.V.<\/strong> Design, advertising and window dressing technologies in the fashion industry<\/a> \u2022 Petushkova G.I., Kurilina N.S.<\/strong> Ecological paradigm in development of cloth ornament<\/a> \u2022 Revyakina O.V., Vinichenko I.V., Rasheva O.A.<\/strong> Online store of hats: the choice of the organization’s strategy on the example of a single range (cap)<\/a> \u2022 Timofeeva M.R., Syrykh A.V.<\/strong> Digital technologies of visual culture as a request of a new generation<\/a> \u2022 Sharipova R.G., Petrosova I.A., Andreeva E.G., Korobetskaia N.A.<\/strong> Research of the composition of the men and women wardrobe from the position of unity and «unisex» style<\/a> Works of the participants \u2022 Brodetskaya A., Shalaeva I.E.<\/strong> Folk costume in the context of the cultural code: history and modernity<\/a> \u2022 Eremkina A.A., Vartanyan N.N.<\/strong> Russian ethnic motives in the collection of modern youth clothing<\/a> \u2022 Zhigulina Z.N., Gubina L.V.<\/strong> Folk costume as the basis of modern costume of the XXI century (on the example of the costume of the Altai Scythians)<\/a> \u2022 Zhitlukhina A., Orekhova N.N., Lopatina M.V.<\/strong> Russian folk women’s sundress as a source of creativity in the development of a modern collection of clothes<\/a> \u2022 Zyablova D.,Vorotyntseva O.A.<\/strong> Koh graze in the meadow…<\/a> \u2022 Izergina M., Orekhova N.N., Lopatina M.V.<\/strong> Ornaments of the peoples of Peru as a source of inspiration for the creation of a modern collection of clothing «Peruvian Color Representation»<\/a> \u2022 Kokorina M., Orekhova N.N., Lopatina M.V.<\/strong> Gzhel painting as a source of inspiration for the creation of a modern collection of clothes «Gzhelfor»<\/a> \u2022 Mazitova M.I.<\/strong> Beadwork \u2013 a cultural heritage of the Sami people<\/a> \u2022 Novlyanskaya Yu., Gashnikova L.V.<\/strong> Madam spoon, let’s hang out a little<\/a> \u2022 Parfenyuk E., Lopatina M.V., Vershinina O.A.<\/strong> Research into the possibilities of popularizing Russian folk ornament among the younger generation<\/a> \u2022 Poskrebysheva A., Vershinina O.A., Lopatina M.V.<\/strong> Japanese national costume as a source of creativity in the creation of a modern collection of clothing «Color of Japan»<\/a> \u2022 Potapova E., Kopchinskaya I.A.<\/strong> Development of sketches of a collection of clothes in ethnic style with elements of «cutwork»<\/a> \u2022 Sadchikova A., Sadchikova A., Tsyganova M.V.<\/strong> Folk costume as the basis of modern XXI century costume «Fashion is cyclical»<\/a> \u2022 Selivanova P., Orekhova N.N., Lopatina M.V.<\/strong> Methods for transforming Russian folk shirts in a modern costume<\/a> \u2022 Chernyshova A., Voropaeva N.V.<\/strong> Using the traditions of the Chukchi costume in creating a modern collection of clothing models<\/a> \u2022 Chistyakova A.E., Fedorova I.B.<\/strong> Embroidery in the traditional costume of the indigenous peoples of the Leningrad region<\/a>
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\n<\/strong>of the XXIV National Competition of Children’s Fashion Theaters and Costume Studios
\n<\/strong>«Association of Children’s Creative Associations» Golden Needle» (Moscow, 2020)
\nNominations «Research work»
\n<\/strong><\/p>\n
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