{"id":1188,"date":"2021-06-22T03:10:59","date_gmt":"2021-06-22T00:10:59","guid":{"rendered":"https:\/\/kostumologiya.ru\/en\/?p=1188"},"modified":"2021-06-22T03:10:59","modified_gmt":"2021-06-22T00:10:59","slug":"06tlkl221","status":"publish","type":"post","link":"https:\/\/kostumologiya.ru\/en\/06tlkl221.html","title":{"rendered":"Visualization of fur to simulate its texture in clothes"},"content":{"rendered":"<p style=\"text-align: right;\"><strong>Guseva Marina Anatolievna<\/strong><br \/>\nRussian state university named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia<br \/>\nE-mail: guseva_marina67@mail.ru<br \/>\n\u0420\u0418\u041d\u0426: <a href=\"https:\/\/elibrary.ru\/author_profile.asp?id=829347\">https:\/\/elibrary.ru\/author_profile.asp?id=829347<\/a><\/p>\n<p style=\"text-align: right;\"><strong>Andreeva Elena Georgievna<\/strong><br \/>\nRussian state university named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia<br \/>\nE-mail: elenwise@mail.ru<br \/>\nORCID: <a href=\"https:\/\/orcid.org\/0000-0002-1464-0450\">https:\/\/orcid.org\/0000-0002-1464-0450<\/a><br \/>\n\u0420\u0418\u041d\u0426: <a href=\"https:\/\/elibrary.ru\/author_profile.asp?id=259825\">https:\/\/elibrary.ru\/author_profile.asp?id=259825<\/a><br \/>\nResearcher ID: <a href=\"https:\/\/www.researcherid.com\/rid\/Q-1132-2015\">https:\/\/www.researcherid.com\/rid\/Q-1132-2015<\/a><\/p>\n<p style=\"text-align: right;\"><strong>Ali kyzy Kurmanzhan<\/strong><br \/>\nRussian state university named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia<br \/>\nE-mail: alikyzy@yandex.ru<\/p>\n<p style=\"text-align: justify;\"><strong>Abstract.<\/strong> The analysis of fashion trends carried out by the authors testifies to the growing popularity of fur products with complex surface textures, to the use of various artistic and technological methods of changing the natural properties of the hairline of fur semi-finished products. It is advisable to search for new images of fur products in the graphic environment of modern three-dimensional programs, the tools of which allow not only visualizing the fit of the projected model on a three-dimensional avatar, but also performing a detailed study of the design and texture of the fur surface. The realism of the designed virtual samples depends on the user competencies of the designer and on the ability to replenish the system database with templates and cards of texture samples of the outer surface of the designed product by type of fur. Modern specialized CAD software products provide users with a wide range of tools for simulating the properties of materials for clothing, and the most complex visualization is the virtual image of the texture of the hairline of fur. It should be noted that for the manufacture of clothing, skins are used both with natural aesthetic and physical properties, and with a significantly modified surface texture using various finishing operations. The authors experimentally studied the use of CAD CLO3D for digital design of fur clothing and simulation of its fitting on virtual avatars. The article discusses the stage of the design search for a new image of the model and shows the results of an experiment on virtual sketching of some geometric and aesthetic properties of fur. The possibility of detailed virtual study and visualization of such fur parameters as shine and hair height is presented, the program settings are recommended for more reliable visualization of the surface of various types of fur.<\/p>\n<p style=\"text-align: justify;\"><strong>Keywords:<\/strong> fur surface design; fur clothing visualization; virtual sketching<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guseva Marina Anatolievna Russian state university named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia E-mail: guseva_marina67@mail.ru \u0420\u0418\u041d\u0426: https:\/\/elibrary.ru\/author_profile.asp?id=829347 Andreeva Elena Georgievna Russian state university named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia E-mail: elenwise@mail.ru ORCID: https:\/\/orcid.org\/0000-0002-1464-0450 \u0420\u0418\u041d\u0426: https:\/\/elibrary.ru\/author_profile.asp?id=259825 Researcher ID: &hellip;<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29,5],"tags":[],"class_list":["post-1188","post","type-post","status-publish","format-standard","hentry","category-vol6-no2","category-article"],"_links":{"self":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/posts\/1188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/comments?post=1188"}],"version-history":[{"count":1,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/posts\/1188\/revisions"}],"predecessor-version":[{"id":1190,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/posts\/1188\/revisions\/1190"}],"wp:attachment":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/media?parent=1188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/categories?post=1188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/tags?post=1188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}