{"id":1871,"date":"2023-07-23T11:24:44","date_gmt":"2023-07-23T08:24:44","guid":{"rendered":"https:\/\/kostumologiya.ru\/en\/?p=1871"},"modified":"2023-07-23T11:55:05","modified_gmt":"2023-07-23T08:55:05","slug":"17ivkl223","status":"publish","type":"post","link":"https:\/\/kostumologiya.ru\/en\/17ivkl223.html","title":{"rendered":"Generative design of costume and accessories as an information database to provide multiple assortment in the conditions of digitalization"},"content":{"rendered":"<p style=\"text-align: right;\"><strong>Usacheva Olga Vladimirovna<\/strong><br \/>\nRussian State University named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia<br \/>\nE-mail: olgausacheva@inbox.ru<br \/>\nRSCI: <a href=\"https:\/\/elibrary.ru\/author_profile.asp?id=1116454\">https:\/\/elibrary.ru\/author_profile.asp?id=1116454<\/a><\/p>\n<p style=\"text-align: right;\"><strong>Bastov Gennadiy Aleksandrovich<\/strong><br \/>\nRussian State University named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia<br \/>\nE-mail: gbastov@yandex.ru<br \/>\nRSCI: <a href=\"https:\/\/elibrary.ru\/author_profile.asp?id=269905\">https:\/\/elibrary.ru\/author_profile.asp?id=269905<\/a><\/p>\n<p style=\"text-align: justify;\"><strong>Abstract.<\/strong> This article discusses the step-by-step principles of structural and graphic transformations of a creative source for the formation of a methodological basis for the generative design of a multiple assortment of costume elements. The work is presented in the form of a methodology for a detailed description of the analysis of creative sources and design projects using figurative-associative design based on structural-graphic biosources. Research to create a figurative-associative chain of shaping the volume-spatial structures of clothing, shoes, accessories, jewelry and accessories in the form of graphic sketches and their transformational transformations, using manual graphic tools such as ink, pen, gel pen, and Adobe computer graphics program Photoshop, with subsequent transfer to 3D visualization created in modern high-tech computer programs for artists: CLO3D, Blender, ZBrush. In the present studies, separate methods of transformational transformation of a creative source are used as a tool to build a wide range of geometric models of future products. The role and significance of structural-graphic analysis in the artistic and design activities of fashion designers are shown step by step based on the generated analysis of the generative series of the artistic image of the creative source and its sensual figurative-associative perception. The generative design method expands the range of shaping options, improves the efficiency of work in the development of costume models, since it offers a multiple fractal assortment of models that are similar in shape, color, material, which allows the fashion designer to create a single and harmonious collection of textile and light industry products. Experimental approbation of a wide range of individual generative models showed the effectiveness of the design process both at the level of artistic form creation and at the level of novelty of form structuring from the standpoint of modern design requirements and taking into account fashion trends in the art of costume and accessories.<\/p>\n<p style=\"text-align: justify;\"><strong>Keywords:<\/strong> costume and accessories; structural and graphic analysis; database; fractal design; generative design; transformational transformations; multiple assortment; CLO3D; Blender<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Usacheva Olga Vladimirovna Russian State University named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia E-mail: olgausacheva@inbox.ru RSCI: https:\/\/elibrary.ru\/author_profile.asp?id=1116454 Bastov Gennadiy Aleksandrovich Russian State University named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia E-mail: gbastov@yandex.ru RSCI: https:\/\/elibrary.ru\/author_profile.asp?id=269905 Abstract. This article discusses &hellip;<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40,5],"tags":[],"class_list":["post-1871","post","type-post","status-publish","format-standard","hentry","category-vol8-no2","category-article"],"_links":{"self":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/posts\/1871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/comments?post=1871"}],"version-history":[{"count":2,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/posts\/1871\/revisions"}],"predecessor-version":[{"id":1876,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/posts\/1871\/revisions\/1876"}],"wp:attachment":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/media?parent=1871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/categories?post=1871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/tags?post=1871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}