{"id":848,"date":"2020-07-31T01:18:08","date_gmt":"2020-07-30T22:18:08","guid":{"rendered":"https:\/\/kostumologiya.ru\/en\/?p=848"},"modified":"2020-07-31T01:18:38","modified_gmt":"2020-07-30T22:18:38","slug":"05ivkl320","status":"publish","type":"post","link":"https:\/\/kostumologiya.ru\/en\/05ivkl320.html","title":{"rendered":"Russian avant-garde stylistics: educational design of industrial collections in costume design"},"content":{"rendered":"<p style=\"text-align: right;\"><strong>Petushkova Tatyana Anatol\u02b9evna<\/strong><br \/>\nRussian state university named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia<br \/>\nE-mail: tatyana_petushkova@yahoo.com<\/p>\n<p style=\"text-align: right;\"><strong>Smirnova Larisa Petrovna<\/strong><br \/>\nRussian state university named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia<br \/>\nE-mail: smirnova-lp@rguk.ru<\/p>\n<p style=\"text-align: right;\"><strong>Belgorodskiy Valery Savelievich<\/strong><br \/>\nRussian state university named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia<br \/>\nE-mail: rectormgudt@mail.ru<\/p>\n<p style=\"text-align: justify;\"><strong>Abstract.<\/strong> The article outlines a comprehensive program for the development of industrial collections as a concept that connects the creativity of a costume designer and a painter within the framework of a fashionable modern trend, which bears the conditional name &#171;Collaboration&#187; in the theme &#171;Russian avant-garde&#187;. The article considers a set of intellectual paradigms that are most relevant for modern design thinking and the development of higher design education. Today, scientists consider the artistic avant-garde of the twentieth century. as a complex complex of various types of art in connection with the ideological and creative trends of such trends as post-impressionism, expressionism, Fauvism, Dadaism, surrealism, cubism and others that have an impact on the art of the twenty-FIRST century. The use of the methodological apparatus of philosophical and aesthetic, historical, art criticism and axiological knowledge allowed us to assert that the avant-garde of the twentieth century is a well-established conceptual term and a single code of modern culture with its own language practice and grammar. Avangard is a combination of scientific, technical and artistic creativity in the synthesis of figurative, associative and logical thinking. Because of this, avant-garde art today can be used as a substantial basis for the creative process, a &#171;vector of changing the image of culture&#187; and &#171;ways of its self-existence and reflection&#187;. These provisions determined the content of the experimental course in the situation of developing industrial collections of fashion clothing and accessories in the framework of a philosophical and anthropological approach. Purpose: to draw attention to the first experiments of creating industrial clothing production in Russia by avant-garde artists. Their bright creativity is a powerful motivator for the revival of the modern domestic industry for the production of clothing, fabrics, shoes, haberdashery, all that set of products, which is covered by the capacious name &#171;costume design&#187;. The experience of reading the topic by novice designers within the scientific direction of the Department is shown.<\/p>\n<p style=\"text-align: justify;\"><strong>Keywords:<\/strong> Russian avant-garde; costume design; industrial collection design; design education; fractal methodology; synergetic paradigm; evolutionary epistemology<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Petushkova Tatyana Anatol\u02b9evna Russian state university named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia E-mail: tatyana_petushkova@yahoo.com Smirnova Larisa Petrovna Russian state university named A.N. Kosygin (Technologies. Design. Art), Moscow, Russia E-mail: smirnova-lp@rguk.ru Belgorodskiy Valery Savelievich Russian state university named A.N. &hellip;<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26,5],"tags":[],"class_list":["post-848","post","type-post","status-publish","format-standard","hentry","category-vol5-no3","category-article"],"_links":{"self":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/posts\/848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/comments?post=848"}],"version-history":[{"count":1,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/posts\/848\/revisions"}],"predecessor-version":[{"id":849,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/posts\/848\/revisions\/849"}],"wp:attachment":[{"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/media?parent=848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/categories?post=848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kostumologiya.ru\/en\/wp-json\/wp\/v2\/tags?post=848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}